Some tunes from Norway:

Sequence for St Olaf (Postquam calix Babylonis), probably composed in Norway before 1200. Here, the liturgical melody is transformed into a dance tune. (Suggested by Maja Marcussen for the allspel tunes in 2011.)

Halling etter Amalie Hasvoldsetter, a traditional langeleik tune from Valdres, Norway. Marit Steinsrud, who learnt many langleik tunes as a small girl from an old neighbour woman in Valdres, was teaching this tune at the NHM 2008 in Lund.

Napoleons telbakemarsj: another old langeleik tune from Valdres, Norway, which was played at the NHM 2008. The age of the title ("Napoleon's retreat") can at least be guessed due to the person named in it. About 1815, then?

Gammel reinlender frå Vingelen, Østerdalen: Old reinlender from Vingelen in Østerdalen in Norway, originally a willow pipe tune which Tone Hulbækmo transferred to the Norwegian folk harp, and played at the NHM 2008 in Lund. It is in Lydian mode, which sounds a little bit odd to modern ears, therefore Tone calls it "På snei".

Halling after P.A.Olsen Stensland, which is also known in Denmark. The musicians in Folkets Hus Spillefolk, Copenhagen, usually transform it into a schottis.

Horpa (Dei to søstre): One of many Norwegian versions of the ballad about a harp which was built from the body of a murdered girl. This version is played on the Norwegian folk harp by Stein Villa. The ballad is also known in many other versions as Den talende strængelek (in Denmark), Hørpuríma (in the Faroe Islands), Hörpukvæði (in Iceland), De två systrarna (in Sweden and Finland) and as The Twa Sisters (in Scotland).

Tulli Tu, an easy springdans, suggested by Susan Enochsson for the allspel tunes in 2010. The springdans (running dance) or springar is a common dance in Norway which can have an asymmetric groove expressed in microrhythmical modulation. It is notated in triple meter, but the played rhythm may vary from one locality to another, from player to player and from situation to situation, contradicting any fixed notion of a single "correct" style of performance.